We spent
Tuesday in Dresden. As most of you know, Dresden was a jewel of a city before the Allies bombed it
in WWII. The intense heat created a firestorm that sucked the air out of
underground shelters, killing thousands of people (many of them women and
children who had flocked to a supposedly safe haven). The bombing raid also
destroyed most of Dresden’s magnificent buildings, such as the Frauenkirche
(Church of Our Lady). It is only recently that some of these treasures –
belonging not only to the Germans or even the Europeans, but everyone – have
been restored to something of their former glory.
Our first
stop after the 2.5-hr. bus ride from Berlin was the Neue Synagogue. The
original was not destroyed in the Allied bombing but on Nov. 9, 1938:
on Kristallnacht. On that night, many Jewish buildings (residences, shops, and
houses of worship) across Germany took the brunt of growing aggression – a
taste of far more brutal crackdowns to come.
The
replacement synagogue is basically a box, a well-designed and constructed but
uninspiring box barely 10 years old. While I liked the high ceiling (a
deliberate choice by the architect when he learned that the Dresden city
planners wouldn’t let him build on the entire original site – more narrow and up
was okay), I did not find that its other features suggested a house of worship, shall we say.
In the
adjoining community center, we met with Michael Hurshell, the artistic director of the The New Jewish Chamber Philharmonic, Dresden. He
explained how he ended up in Dresden after being born and raised in Seattle,
and why his orchestra plays work by Jewish composers, many of whom have slid
into undeserved obscurity since the turbulent first few decades of the 20th
century. Music has no borders, he implied. It has the power to bring people
together instead of underscoring their differences. Very uplifting to hear
this!
In our
remaining time, under gloomy skies, we had a quick look through the art
gallery, where Raphael’s most famous Madonna had been on display since early May. I
can’t remember running through a gallery like that before! We were really under the eye of the clock. As the Lucas Cranach
“Adam and Eve” was in the vault, and I could see only a few other German and
Flemish works, I think I could have given the gallery a pass. Anyone with a
penchant for Italian religious art would have been begging to stay another two
hours! I have lost any taste for that – or perhaps I feel fonder of German art
because, well, I’m in Germany.
As the cool
day seemed to get even cooler, we visited the Frauenkirche, then decided to
have Kaffee und Kuchen in a tearoom before heading back to Berlin earlier than
planned. I had a hot chocolate that really woke me up, while the rest of the
group sampled the tortes. (I’d had enough yummy cake at lunch, at the
synagogue, after vegetarian couscous.)
We returned
to Berlin around 8:00, as the sky cleared a bit, and ate (much later) at a
fancy place called Oxymoron. Tired of pasta – about the only veg option at most
fancy places – I had potatoes and white asparagus, period. They actually hit
the spot
A bunch of us said our good-byes outside the hotel, and thanked Naomi for all her expertise, patience, good humor, and kindness. We will never forget this trip, much of it thanks to her.
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